![]() One pouch carried a maroon velvet jacket and white satin camisole top another a pair of ornate silver teaspoons for tapping out tunes, a dying folk art. She carried a large velvet paisley purse that seemed to contain everything important to her. She was wearing a velvet skirt and a lacey top that let her full breasts swing and heave. They moved the piano and themselves into my house. The first song I heard Pamela sing was played on the piano on top of the pickup. Dick Gabrio, a blonde swashbuckler guitar player I met in Mexico, drove her there. Within a month of my new management career, singer/songwriter Pamela Polland arrived on my doorstep, her dog Canina in her arms and her upright piano on the back of a pick-up truck. “Nowhere.” “Well how would you like me to manage you?” I began getting them gigs. At the end of the evening, I asked them where they were performing. I listened entranced to the acoustic guitar medleys they had composed. While at a laundromat in Mill Valley, I found a business card: “Jan Tangen, lessons in rock and blues guitar.” I called him up and was invited to come hear him and his partner Dave Friedman, rehearse some music. My boyfriend felt whipped by the rejection and became determined to learn how to play rock-n-roll guitar. The real reason was a slick-talking talent agent named Randy Fred (his real name!) lured the rest of the band to Los Angeles with promises of fame and fortune. They said my 45-year old boyfriend was just that-too old. They also fired my boyfriend/guitarist who founded the band. I didn’t have connections in the business. Eventually I found them good paying work in a Holiday Inn in Palm Springs playing a mix of top-40 pop and their own compositions. You can cry or laugh, but if you let it get to you, it’s as quick as quicksand to bury you.ĭespite my advice to the contrary, the band I was managing from Mexico moved to the Bay Area. Rejection in the music business is as common as dirt.
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